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Oil Paintings
Come From United Kingdom
An option that you can own an 100% hand-painted oil painting from our talent artists. |
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EYCK, Jan van
Flemish Northern Renaissance Painter, ca.1395-1441
Painter and illuminator, brother of Hubert van Eyck. According to a 16th-century Ghent tradition, represented by van Vaernewijck and Lucas d'Heere, Jan trained with his brother Hubert. Pietro Summonte's assertion (1524) that he began work as an illuminator is supported by the fine technique and small scale of most of Jan's works, by manuscript precedents for certain of his motifs, and by his payment in 1439 for initials in a book (untraced) for Philip the Good, Duke of Burgundy. Jan is first documented in The Hague in August 1422 as an established artist with an assistant and the title of 'Master', working for John III, Count of Holland (John of Bavaria; reg 1419-25), who evidently discovered the artist while he was bishop (1389-1417) of the principality of Liege. |
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EYCK, Jan van
Crucifixion dgd
1420-25
Oil on wood transferred to canvas, 56,5 x 19,5 cm
Metropolitan Museum of Art, New York
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EYCK, Jan van
Last Judgment sfg
1420-25
Oil on wood transferred to canvas, 56,5 x 19,5 cm
Metropolitan Museum of Art, New York
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EYCK, Jan van
Madonna in the Church dfh
c. 1425
Oil on wood, 32 x 14 cm
Staatliche Museen, Berlin
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EYCK, Jan van
Stigmatization of St Francis df
1428-29
Oil on wood, 12,5 x 14,5 cm
Philadelphia Museum of Art, Philadelphia
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EYCK, Jan van
Portrait of a Goldsmith (Man with Ring) dfg
c. 1430
Wood, 16,6 x 13,2 cm (without frame)
Romanian National Museum, Bucharest
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EYCK, Jan van
Portrait of Cardinal Albergati sdg
c. 1435
Silverpoint, 212 x 180 mm
Kupferstichkabinett, Dresden
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EYCK, Jan van
Portrait of Cardinal Niccolo Albergati dfg
1431-32
Oil on wood, 34,1 x 27,3 cm
Kunsthistorisches Museum, Vienna
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EYCK, Jan van
Portrait of a Young Man (Tymotheos) de
1432
Oil on wood, 34,5 x 19 cm
National Gallery, London
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EYCK, Jan van
Man in a Turban ds
1433
Oil on wood, 25,5 x 19 cm
National Gallery, London
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EYCK, Jan van
Madonna with the Child Reading dfg
1433
Oil on wood, 26,5 x 19,5 cm
National Gallery of Victoria, Melbourne
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EYCK, Jan van
The Virgin of Chancellor Rolin dfg
1435
Wood, 66 x 62 cm
Mus??e du Louvre, Paris
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EYCK, Jan van
The Virgin of Chancellor Rolin (detail) dfg
1435
Oil on wood
Mus??e du Louvre, Paris
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EYCK, Jan van
The Virgin of Chancellor Rolin (detail) ds
1435
Oil on wood
Mus??e du Louvre, Paris
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EYCK, Jan van
The Virgin of Chancellor Rolin (detail) dsgs
1435
Oil on wood
Mus??e du Louvre, Paris
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EYCK, Jan van
Portrait of a Man with Carnation re
c. 1435
Oil on wood, 40 x 31 cm
Staatliche Museen, Berlin
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EYCK, Jan van
The Annunciation sdw
c. 1435
Oil, transferred from wood to canvas, 93 x 37 cm
National Gallery of Art, Washington
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EYCK, Jan van
Portrait of Baudouin de Lannoy nere
c. 1435
Oil on wood, 26 x 20 cm
Staatliche Museen, Berlin
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EYCK, Jan van
Portrait of Giovanni Arnolfini s
c. 1435
Oil on wood, 29 x 20 cm
Staatliche Museen, Berlin
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EYCK, Jan van
Portrait of Jan de Leeuw swh
1436
Oil on wood, 24,5 x 19 cm
Kunsthistorisches Museum, Vienna
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EYCK, Jan van
Suckling Madonna Enthroned ss
c. 1436
Oil on wood, 65,5 x 49,5 cm
Städelsches Kunstinstitut, Frankfurt
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| EYCK, Jan van
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Flemish Northern Renaissance Painter, ca.1395-1441
Painter and illuminator, brother of Hubert van Eyck. According to a 16th-century Ghent tradition, represented by van Vaernewijck and Lucas d'Heere, Jan trained with his brother Hubert. Pietro Summonte's assertion (1524) that he began work as an illuminator is supported by the fine technique and small scale of most of Jan's works, by manuscript precedents for certain of his motifs, and by his payment in 1439 for initials in a book (untraced) for Philip the Good, Duke of Burgundy. Jan is first documented in The Hague in August 1422 as an established artist with an assistant and the title of 'Master', working for John III, Count of Holland (John of Bavaria; reg 1419-25), who evidently discovered the artist while he was bishop (1389-1417) of the principality of Liege.
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